Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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unknow artist
Portrait of Two Children, Probably the Sons of M. Almeric Berthier, comte de LaSalle

ID: 78470

unknow artist Portrait of Two Children, Probably the Sons of M. Almeric Berthier, comte de LaSalle
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unknow artist Portrait of Two Children, Probably the Sons of M. Almeric Berthier, comte de LaSalle


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unknow artist

  Related Paintings of unknow artist :. | Sheep 084 | Arab or Arabic people and life. Orientalism oil paintings 612 | Arab or Arabic people and life. Orientalism oil paintings 488 | Hohlengemalde of a horse | Still life floral, all kinds of reality flowers oil painting 330 |
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William Williams
English-born American Colonial Era Painter, 1727-1791 was an American painter. He was born in Caerphilly, Wales. He began residing in Philadelphia around 1747 and afterwards in New York City before returning to England about 1780, where he died in Bristol
martin luther
Born: 10 November 1483 Birthplace: Eisleben, Germany Died: 18 February 1546 Best Known As: German monk who started Protestant Reformation
George Henry Durrie
American Painter, 1820-1863,American painter. Durrie and his older brother John (1818-98) studied sporadically from 1839 to 1841 with the portrait painter Nathaniel Jocelyn. From 1840 to 1842 he was an itinerant painter in Connecticut and New Jersey, finally settling permanently in New Haven. He produced c. 300 paintings, of which the earliest were portraits (e.g. Self-portrait, 1839; Shelburne, VT, Mus.); by the early 1850s he had begun to paint the rural genre scenes and winter landscapes of New England that are considered his finest achievement. His landscapes, for example A Christmas Party (1852; Tulsa, OK, Gilcrease Inst. Amer. Hist. & A.), are characterized by the use of pale though cheerful colours and by the repeated use of certain motifs: an isolated farmhouse, a road placed diagonally leading the eye into the composition, and a hill (usually the West or East Rocks, New Haven) in the distance. By the late 1850s Durrie's reputation had started to grow, and he was exhibiting at prestigious institutions, such as the National Academy of Design. In 1861 the firm of Currier & Ives helped popularize his work by publishing prints of two of his winter landscapes,






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